Cybils Middle Grade folks will no doubt recognize most of the titles I laud -- we were in the throes of the nominating process when I wrote the article.
So you haven’t read all the pages of James Joyce’s Ulysses? Actually, you haven’t read any of it, have you? No big deal, says Pierre Bayard, author of French bestseller How Do You Talk About Books You Haven’t Read?; neither has he. And that doesn’t stop him from sharing his “very positive” opinion about it. Bayard, a psychoanalyst and university professor, wants to reassure students and bibliophobes that just knowing about a book as opposed to having read it is no reason for shame. “Even the most cultivated among us have enormous gaps in their knowledge,” Bayard says. “Many great intellectuals—Paul Valery, Montaigne, Oscar Wilde—often spoke about books they hadn’t read, and didn’t feel guilty about it.”… Bayard argues that the real secret to knowledge, cultivation and passionate reading lies in avoiding the traditional, linear approach to books. “Books aren’t so much made to be read as they are to be lived with,” he says.Do you discuss, recommend, ding, or write about books you haven't read (qualifying your comments, of course, by admitting your non-reader status)? Vote in the sidebar, please, and if you can't see it, widen your window -- good advice for life, too.
"Put away your textbook, and try this instead," she said, handing me the Thai translation of The Story of Babar by Jean de Brunhoff.
I'd read that book about twelve times by the time I was six, way before I knew about politerary incorrectness — phrase coined by self, I think. My parents even have an old cassette recording of a wee version of me reading it when we lived in London, my British accent intact. (Note: I was interested to read in Alison Lurie's December 16, 2004 article in The New York Review of Books, The Royal Family, that "Laurent de Brunhoff has regretted his early drawings of African 'savages'; he decided years ago that Babar's Picnic will never be reprinted.")
By the end of Babar's story in Thai, my meager store of memorized vocabulary had quadrupled. I was starting to get the language — the way sentences were formed, the rhythm of conversation, the subtleties of Thai humor. Best of all, I was questioning my conviction about being a dunderhead when it came to learning another language as an adult.
If you want to get to the next step in a second language, why not try this yourself? Find one of your favorite children's books, one that you know because you've re-read it so many times, and read the translation. Here, for example, are Harry Potter's adventures in Chinese, Korean, Japanese, Russian, Spanish and Vietnamese. (Note: these would also be great to add to a library collection serving bilingual immigrant kids.)
The text for each story has already been laid out carefully and the illustration spots and sizes clearly marked. Download the template for Varun's story, "Hey! Is That A Yellow Crocodile?" here, and for Shivani's story, "The Clever Cousins," here. Entries for the art contest will be divided into the 6-8 and 9-11 age groups, but kids may illustrate either story, and don't need to be of South Asian origin to enter. Attach an entry form to the artwork and mail by Saturday, March 31, 2007.
The first place stories and illustrations will be published in the Spring 2007 issue of Kahani. The winners will also get a check for $50 each. Second place winners will receive a $50 gift basket, courtesy of Barefoot Books, a Cambridge-based publisher of multicultural literature. Third place finishers will each get a $25 Borders gift card. See last year's winners here: Age Group 6-8 | Age Group 9-11.
I got my message in lights with notcelebrity.co.uk ... and miraculously finished yet another revision of First Daughter: White House Rules, Dutton 2008.
Source: Fuse #8, of course.
When it comes to fair use, public domain, and copyright issues, head straight to Stanford University's well-written, easy to understand summaries. Here's how to stay out of trouble when reproducing images, excerpts, and even linking to other sites and blogs. Law Professor Lawrence Lessig is the author behind the site, and his mission statement is to "free culture." Whether you agree or disagree, his vision is worth thinking about:
While new technologies always lead to new laws, never before have the big cultural monopolists used the fear created by new technologies, specifically the Internet, to shrink the public domain of ideas, even as the same corporations use the same technologies to control more and more what we can and can't do with culture. As more and more culture becomes digitized, more and more becomes controllable, even as laws are being toughened at the behest of the big media groups. What's at stake is our freedom--freedom to create, freedom to build, and ultimately, freedom to imagine.I know there's controversy over how much of our creative output can or should be in the public domain, but I recommend three tools as the way to make sure you're in compliance if you want to reproduce other people's creations. To find works in the public domain (meaning you may reproduce them sans permission):
- use the search engines at the Gutenberg Library (download over 20,000 books in the public domain);
- try Creative Commons (goal: to build a layer of reasonable, flexible copyright in the face of increasingly restrictive default rules);
- or do a search on Google Books, where if a work is presented in full view, it's in the public domain (select the button labeled "full view" before you do your search).
As for excerpts or snippets, fair use allows you to copy small portions of a work for "certain purposes such as scholarship or commentary." There are no hard and fast rules as to the number of words you may reproduce, but four factors come into play, and "the less you take, the more likely that your copying will be excused as a fair use. However, even if you take a small portion of a work, your copying will not be a fair use if the portion taken is the 'heart' of the work. In other words, you are more likely to run into problems if you take the most memorable aspect of a work."
Bottom line: take the time to find out if you're violating copyright law. As St. Paul would say, I've been the "chief of sinners," so I'm going to wend my way through my archives and wrest the Fire Escape into compliance. Please let me know if any information in this post is faulty, and I'll fix accordingly.
Update: As for reproducing book covers on your site/blog, a question raised in the comments section, I'm (tentatively) going ahead with it. An article by Carrie Russell in the 7/1/06 issue of School Library Journal argues that covers are in the "fair use" category. Amazon was recently challenged on the book cover issue, and won. It seems, then, that it's legal for online booksellers to reproduce covers, so if we link to and derive the image from a bookseller, we may be safe. Of course, I have absolutely no legal qualifications, so if anybody wants to chime in, please do so ...
I've started to take seriously my call to invest in younger writers (and younger people in general; I've even been asked to serve on a panel at Wellesley college -- not officially sponsored by the institution -- called "Can a Wellesley Woman ... Stay At Home?") But driving home from Vermont, I realized my own continuing need for mentors who are a bit further along the path.
What about you? Is there a person a decade or two older to whom you can turn for advice and inspiration in your vocation? What about a person a decade or two younger who seems to be seeking your input?
Inspired by the Year of the Boar and the approaching Earth Day–and going beyond our regular regional scope–these bimonthly highlights focus on children's books about animals and the natural environment. Read the thought-provoking interviews and book of the month feature, browse the galleries, and make sure to explore the links below and share them with others. We hope they will inspire you to take meaningful action.
Gaia Opens an Eye by author Diane Haynes talks about species' extinction, miracles and hope; Drawing from Eco-riches: Australia's Environment in Children's Books by author Chris Cheng, talks about his favorite titles on the subject.
American Museum of Natural History's Young Naturalist Awards; Wilderness Society's Environment Award for Children's Literature, ALA's Sibert Medal for Informational Books for Children; Skipping Stones Youth Honor Awards; Institute for Global Environmental Strategies Art Contest...
From PaperTigers, and Resource Links, including: Crow Medicine by Diane Haynes; Rainforest Bird Rescue by Linda Kenyon; The Killing Sea by Richard Lewis; Dale Auger's Mwâkwa Talks to the Loon; Keltie Thomas' Bear Rescue: Changing the Future for Endangered Wildlife; Jan Thornhill's Folktails: Animal Legends from Around the World and more...
Children's Books about Nature; We're Planting the Seeds; Nature Links; Eco Books; Green Museum's Suggested Reading; Theme Park's Exploration.
Colato Laínez is a graduate of the Vermont College MFA program in Writing for Children & Young Adults. He was born in El Salvador and was inspired to be a writer by his great uncle, Jorge Buenaventura Lainez, at whose house he first learned the word "escritor/writer." He has been a bilingual elementary teacher at Fernangeles Elementary School, where he is known by the students as "the teacher full of stories."Laínez is beginning a series on La Bloga called Living To Tell The Story: The Authentic Latino Immigrant Experience in Picture Books. Tune in; I plan to.
More: Read Critícas' interview with Laínez, and the Papertigers review of I am René, The Boy.
I bind to myself today
The power of Heaven,
The light of the sun,
The brightness of the moon,
The splendour of fire,
The flashing of lightning,
The swiftness of wind,
The depth of sea,
The stability of earth,
The compactness of rocks.
"Oh, really? But do you have a job?"
This type of conversation has taken place one too many times since I started writing children's books as a career. That's why I'm delighted when a professional clarifies our vocation for the masses. Check out the trailer author Jackie Davies created for her next book, The Lemonade War (Houghton Mifflin, April 2007). Just when you were kvetching about how only big names get big bucks to promote their novels, a real pro goes out and makes it happen.
Accents in animated films have always fascinated me. In Disney's Lion King, for example, while the child actor who portrayed Nala (Niketa Calame) and the singing voice of Simba (Jason Weaver) had African-American voices, the speaking Simba (Jonathan Taylor Thomas) and the adult versions were white (Matthew Broderick and Moira Kelly, respectively). Anyone else think it strange that a black lioness grows up to be white, and that when the cub sings he switches races?
The moment Sameera stepped outside to wash her hands, the photographers and reporters followed her, swarming around like wasps, the zoom of their lenses droning at her from every side. Jingle’s ferocious bark was the only thing that kept them from touching her. Sameera headed back to the house, remembering to wave and blow a kiss at her entourage before closing the kitchen door firmly on their faces.
The Bechtel Prize is awarded annually in recognition of an exemplary article or essay related to:
The winning essay appears in Teachers & Writers magazine, and the author receives a $3,500 honorarium. Possible topics include contemporary issues in classroom teaching, innovative approaches to teaching literary forms and genres, and the intersection between literature and imaginative writing.
- Creative writing education,
- Literary studies, and/or
- The profession of writing.
Melissa Jenvey, a young adult specialist at the Donnell Library in midtown Manhattan told me that after redoing the teen section four years ago, circulation of young adult titles rose 400 percent. "We just needed to have the merchandise that they wanted," she says. "It's like how they put the milk in the back of the supermarket to get you to buy all the other stuff."In my visits here and there, I've been impressed with several strikingly teen-friendly libraries, like the ones in Reading, Massachusetts, Pleasanton, California, and Springfield, Massachusetts. But before spending huge amounts of time, money, and energy on an arcade-like decor, those communities pursued different priorities, like hiring librarians who love to chill with teens.
On another note, here's a great review for teens of the movie Namesake from Word, the official blog of Weekly Reader's Writing Magazine, written by Sandhya Nankani. And check out this touching account of Ms. Lahiri's parents seeing the film.
Trivia: Did you know that Jhumpa Lahiri officially uses her nickname because a kindergarten teacher opted not to call her "Neelanjana" or "Sudeshna," which were her two legal names? After this discussion, though, I've decided to veer away from a recent surge of cynicism and give people the benefit of the doubt, so perhaps the teacher was trying to ease the to-school transition by using the at-home pet name. And then it stuck.
When icicles hang by the wall,
And Dick the shepherd blows his nail,
And Tom bears logs into the hall,
And milk comes frozen home in pail,
When blood is nipp’d and ways be foul,
Then nightly sings the staring owl,
Tu-who, a merry note,
While greasy Joan doth keel the pot.
When all aloud the wind doth blow,
And coughing drowns the parson’s saw,
And birds sit brooding in the snow,
And Marion’s nose looks red and raw,
When roasted crabs hiss in the bowl,
Then nightly sings the staring owl,
Tu-who, a merry note,
While greasy Joan doth keel the pot.
We are biased in favor of stories that make us comfortable ... and that means that we are more likely to praise a book written by someone with our background and voice ABOUT a different culture, rather than a book written BY someone inside that culture with a different, but more authentic, voice. This is the way that insider voices get "silenced" -- they don't get published as often, or purchased as often, or talked about as often ... because we're a dramatically homogeneous group of people in this industry.I'm not sure if I agree, but I want to hear what others think. Is there a demand for children's or teen books set in other countries but penned by westerners because the western reader (wallet in hand) resonates with that outside-looking-in perspective? With all the talk about "authenticity" going around the world of children's literature, is there still a need for a book about a particular place or culture written by an outsider for other outsiders?
- Lisa Yee for winning the James Thurber Writer-in-Residence Award.
- Chris Barton, who landed his second contract for a mysterious picture book called S.V.T., which I'm convinced is about vomit.
- Alvina Ling of Little Brown for editing two of the SCBWI 2006 Golden Kite Award winning books and now S.V.T., too.
- Cynthia Leitich Smith for the spotlight in an article about blogging authors in PW and for her just-released novel (Tantalize, Candlewick) already in its third printing.
- Jen Robinson for her interview on Kim and Jason's Escape Adulthood podcast show.
- Kelly Herold, who got a nice SLJ mention of the communal children's wiki novel she started.
- Betsy Bird for her forthcoming article about kid lit blogs in the next issue of Horn Book Magazine.
The life of Sunita is direction above below! Her grandparents come from India, Didu and Dadu, moved into the house of her parents, in California. Since then, all their practices are upset! Her mother exchanges her tailored suits against the Indian traditional costume, chicken curry and samosas replaces sushis and pizza pies, and, especially, Sunita does not have any more the right to invite buddies at the house! How to explain it to Michael, the boy who dissolves it? Between her family and her friends, the heart of Sunita balances…Wow! I like that, don't you?
(Source: Sepia Mutiny, of course.)
- French edition, 2007.
- Little Brown reissue, 2005.
- Hyperion paperback, 1994.
- Little Brown original, 1993.
For this week's Poetry Friday, I offer the winning poem from the 2006 contest, written by Amelia, age 15:
an onion dome of gold
defies the pale blue sky
and glitters like a Christmas card
the small Orthodox church, a time machine beckoning
to a place lost but remembered in dreams
a genetic gift
as tangible as eyes the color of the Baltic sea
American Idol is on
and i should be watching it
but instead i find myself
lighting a candle
and breathing in incense so pungent
it makes my nose bleed
instead i find myself
in the remnant of a world
that smells of boiled cabbage
and feels like velvet
because it is lent
even in New York
and my Russianness clings to me
like soot on a humid city morning
i would like to tell you that i feel out of place
surrounded by old women dressed in black
whose prayers sound like chickens cackling softly
my ears not attuned to a choir singing in Old Church Slavonic
a language nobody seems to understand
born Yemelia Nikolayevna
i am now Mel
Mel who wears birthday-cake lipgloss and lavendar flip-flops
who takes hip-hop on Thursday night
and knows pizza is far superior
to paper-thin pancakes stuffed with fish eggs
but somehow the deep, gold smell of the incense
and the glow of fragile white candles
and the walls filled with sad, dark saints
tell me otherwise
for when the fates were weaving my future
they used a memory yarn
that keeps stretching back
to its original shape
The film Freedom Writers beautifully depicts the power of memoir as urban teens separated by ethnic rivalries responded to Anne Frank's diary entries. That's why I want to recommend Left To Tell, Immaculee Ilibagiza's memoir of survival and devastation during the Rwandan holocaust in 1994. The power of this starkly honest story is that it doesn't leave the reader fearful and devastated. As Immaculee's tender, tough voice recounts her suffering, teens will realize that they, too, can confront and endure evil without succumbing to it.
In a culture where vengeance, violence, and suffering can devastate a high school or middle school community, and where lifestyles of self-indulgence and entitlement are flaunted and celebrated, teens need true stories of forgiveness, sacrifice, courage, and survival. Show your high schoolers the movie Hotel Rwanda. Get them a copy of Deogratias by J.P. Stassen. And let them read this story that Imaculee believes she was Left To Tell.